Piu Eatwell was born in India, of mixed Anglo-Indian descent. She studied English at Oxford University. Piu subsequently worked as a lawyer and television producer for the BBC and other TV companies. She now lives in France and writes full-time on French-themed subjects, as well as historical non-fiction.Her other books are They Eat Horses, Don't They? The Truth About the French (Head of Zeus 2013 UK/St Martin's Press 2014 USA), The Dead Duke, his Secret Wife, and the Missing Corpse. (Head of Zeus 2014 UK/WW Norton-Liveright 2015 USA) and F is for France: A Curious Cabinet of French Wonders, was published by St Martin's Press/Pan Macmillan in June 2016.
A magnificent, meticulous and startling re-examination of a crime
that haunts the world's imagination
*Geoffrey Wansell, author of 'An Evil Love: The Life of Frederick
West'*
A compelling read, in both style and substance, and one which packs
a heavyweight punch in terms of the evidence uncovered and the
resolution offered. This is a comprehensive account of the sad and
ultimately tragic life of Elizabeth Short, and the web of intrigue
that surrounds her death is untangled here in fascinating and
painstaking detail. A must-read for anyone with an interest in the
Black Dahlia - or indeed any fan of the true-crime genre.
*Rod Reynolds*
Eatwell writes brilliantly . . . After decades of cultural
appropriation by journalists, novelists and film-makers, Eatwell
has finally offered [Elizabeth] Short a type of belated justice.
Her book reads like a thriller, but it never loses sight of the
real woman whose life was so savagely extinguished'
*Sunday Times*
Compulsively readable, impeccably researched and heart-rending at
times, BLACK DAHLIA RED ROSE deserves a place at the top of any
true crime aficionado's bookshelf . . . Superb
*Sarah Lotz, author of The Three and The White Road*
Written in a narrative style that evokes the smoky noir of LA in
the 1940s, it's a gripping tale featuring a host of colourful
characters - from hard-boiled cops and intrepid journalists to
wannabe actresses and Hollywood gangsters. It was hard to put down.
When I wasn't reading it, I found myself thinking about the Dahlia
and her untimely death. After three years of painstaking research,
she puts forward a compelling and convincing conclusion. It's a
must-read.
*Daily Record*
A meticulously researched work that is delivered with all the
punch, pace and suspense of the finest noir thrillers . . . Eatwell
never forgets the tragic figure at the heart of her story, while
emphasising the callousness of the post-second World War era in
which she was so brutally murdered'
*The Irish Times*
Piu Eatwell applies rigorous deductive reasoning . . . The
characters she encounters are straight from the sets of film noir .
. . She pursues her suspect to the nightmarish end, uncovering
corruption of every kind, and offers a convincing solution.
*Mail on Sunday*
Eatwell's historical crime study is an expansive work that delves
into the broader culture of post-war Los Angeles . . . her
immersive style is filled with camera-ready period detail
*New York Times*
'[Eatwell] evokes the Los Angeles era in which the murder was
committed with pinpoint accuracy and feeling . . . she meticulously
draws together in her investigative web all the necessary threads
and makes the affair clearer despite its inherent complexity.
Probably the final book on the case and the best, as the author's
exemplary research collects all available data and allows the
reader to make his mind up.
*CrimeTime*
I adored this book. It really does plunge the reader into the grime
behind the glamour, bringing to gory life the moral repugnancy of a
post-war Gomorrah known as LA. The reader is utterly transported -
so close to the action that it felt as though I was riding in the
squad car, watching the grotesque autopsies and taking
knuckle-dusters to head from the Gangster Squad. As far as I'm
concerned, it's case closed. Absolutely masterful. The perpetrator
of whichever unsolved case Piu Eatwell tackles next should be very
nervous.
*David Mark, bestselling author*
Readable and convincing
*The Times*
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